12/31/2011

Yamaha RX-397 100 Watt Natural Sound AM/FM Stereo Receiver Review

Yamaha RX-397 100 Watt Natural Sound AM/FM Stereo Receiver
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Despite the current fad for multi-channel audio/video receivers, the majority of people still listen to music with two speakers and only need a two-channel stereo receiver to drive them. As fanatic audiophiles with excellent stereo speakers, my wife and I recently purchased this receiver because of very good previous experience with Yamaha electronics products. This is a superb receiver in all respects. Some people may think that they need more than this receiver's rated power of 50 watts per channel, but Yamaha's power ratings are extremely conservative and this receiver will drive virtually any speakers to deafening levels (which I don't recommend doing). More important than it's ample power is its very low distortion. Yamaha specializes in low distortion products for very clean sound. In addition to robust power and ultra-low distortion the RX-397 has a full complement of controls, plus an easy to use remote. But as a fanatic audiophile another feature, typical of Yamaha, which I particularly appreciate is a button which sends the signal from our CD player (or any other non-phono cartridge input) directly to the amplifier -- bypassing the preamp circuitry, which is not needed except when playing LPs (which most people rarely do these days) -- for the lowest distortion and best signal to noise ratio. There are plenty of slighty less expensive -- and less good -- stereo receivers available, but if you want suberb performance at a moderate price I highly recommend this Yamaha.

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Onkyo HT-RC180 7.2-Channel A/V Surround Home Network Receiver (Black) Review

Onkyo HT-RC180 7.2-Channel A/V Surround Home Network Receiver (Black)
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I've owned a lot of electronics, all makes and many models. I had not upgraded my core system for many years, and knew it was time for a change. I'm a fan of Onkyo (I have another Onkyo AV receiver in the living room) and was looking for one with network connection and more power. Man does this deliver. The quality, feel and look is all top-quality. This may be a 7.1 system, but it powers 10 speakers, two subs, and three different zones/rooms! That's 11 speakers plus two subs (13 total.) Remember that Frasier episode from a few years ago where he purchased a new soundsystem, and his living room looked like a speaker Stonehenge. Seemed farfetched at the time - but now it's clearly possible. If you use full sized speakers you would have a draw-dropping first impression. As it is, I have 11 speakers and one sub, varying sizes and makes - that's impressive enough.
The sound? Wow. I played Aero by Jean Michelle Jarre - a 5.1 audio DVD. It knocked my socks off. The audio resolution and depth were amazing. The receiver also has numerous listening modes - so many it takes over two pages in the manual to list them. Different Dolby modes, THX and many more. There's a diagram on the front panel that displays the speakers that will be used by each mode. As you change them, the speaker display changes - pretty simple. Want only two speakers? Four? Eleven? Simple.
So here's my experience, from unpacking to turn-on.
Packaging: Extra-heavy duty. Double-thick box, form fit foam. The box will take a lot of abuse in shipping. See my included photos.
Unpacking: Typical anti-static and foam wrap, tape and scratch protection. Heavy unit - will take two people to unpack unless you are comfortable moving heavy weight.
Installation: I find it easier to make a temporary platform at around the same height as the shelf the unit will sit on - I've always done this. In this case, two storage boxes put it at about the perfect height. This way I can attach all cables and simply slide the unit in place. When we're talking this many wires it's a big help. The RC180 includes a manual (thick!), quick start (handy!) and a sheet of decals to mark your speaker cables. At first I thought - "yes, like I'll need these!" Man did they come in handy! The labels were a real timesaver. Again, see the photos.
My BluRay player uses a network connection, and so does this unit. I had a single network cable in the room, so had to add a hub to split the connection. I can't use wireless in the home - it's an older building, lath/plaster/steel mesh. It works like a Faraday cage, and kills signals. The RC1800 uses a wired connection anyway, as does my BluRay player. If you already have a wired connection in the room, keep in mind you may need a hub to add more outlets.
It took around an hour to hook everything up, from unpacking to sliding the unit in place.
BEFORE I put the unit in place, I ran the speaker test. This allows you to verify correct placement. Again, it came in handy. I had the upper left front and upper right front speaker connections swapped (there are SEVEN speakers in front - Two Upper front, Two front, Two wide front, and one center!) Fixed that, then slid the unit in place.
Turned it on again, verified all the AV connections. You can customize pretty much all the connections. For example, I have my DVD set to use component in 1 and digital audio coax in 2. My VCR (yes, I still have a VCR) uses the VCR input, and I have the TV set to use optical in 2. This allows a lot of customization and personalization. Next I named all the inputs, so the display shows whatever text I want.
Then I ran the Audyssey setup. I love this system. My other Onkyo uses it as well, and it's great. The RC180 uses a more advanced version. It tests the standard three listening positions, and has an additional optional three positions for more fine tuning. I only needed three. This took around 15 minutes to run. It tests every speaker, including the subwoofer, then writes the data.
Next I customized the remote control. It's a universal remote with some cool options. There are programmable shortcut buttons (my music, my movies, etc.) as well as the standard controls for all your devices. It's interactive - you follow on-screen prompts (it uses your TV for the display.) Basically you enter the first three letters of your make, perform a search and select the make from an amazingly comprehensive list. You also select the category of the device - VCR, DVD, etc. You then go through a train and error selection process of codes. You're instructed step by step. My DVD took three tries for the correct codes. The BlyRay and VCR did it in one. After you are finished with that, you can program the shortcut buttons (My Movies, etc.) With one button press it will turn on selected devices, press play, etc.) Works perfectly. I press MyMovie and the TV turns on, the Onkyo turns on, the BluRay turns on and plays.
My only gripe is the net connectivity - the remote control takes a lot of getting used to, as the functions for net use are counterintuitive. The unit has built in support for several web based radio services. One of the included services, vTuner, is free. The others require a subscription (Sirus, Pandora, Rhapsody.) The instructions for vTuner setup were problematical. You're instructed to go to a URL and use the unit's MAC address to register. vRadio won't accept the MAC address - they want a unit ID. The vRadio instructions for finding the unit ID are not even close. Basically the Unit ID and Mac address are the same thing, but vTuner won't take it. Still fighting that. You can use vTuner without it, but you won't have favorites, playlists, etc.
Update: Figured it out. They do indeed want the MAC address - however, without any spaces, dashes, colons. Just the letters and numbers as one long string. Find the MAC address under the network setup - ignore the instructions from vTuner.
Streaming from your computer? The RC180 automatically detects the computers on your network with media servers running. I have three PC's running Windows media player - it found all three of them. I'll add more details on in-house media streaming in the future - I need some more hands-on to make an honest evaluation. My main PC is based on Windows 7. The instructions for connecting to the media player are for Media Player 11 (Vista / XP), not Windows 7. Windows 7 uses Media Player 12 - so you need to use the DLNA instructions, not the Windows Media Player instructions. One big mistake I made was attempting to connect to my computer before allowing access to the Onkyo. This stuck the Onkyo in a loop while it kept trying to connect. Eventually it gave up and I was able to get it all to work. You really need to create playlists to make it easy to use.
From what I see so far, I can't use my iTunes library. The Onkyo requires DLNA compliance, and iTunes is not - that's why you can't use iTunes with many devices over a network, including the PS3.
Followup: I can't stress how important a great center speaker is. I had an anemic speaker with a 4" woofer. It was basically a spare JBL studio speaker - great quality, but it was rated at 50 watts. I replaced it with a BIC center speaker that has two 6" woofers and a large horn - and handles 175 watts ( BIC America DV-62CLRS 6-Inch 2-Way Center Channel Speaker ). Wow! What a difference. With the old speaker, the Onkyo would not go past 70% volume - the Audyssey setup detected that feeble little speaker and limited the maximum output. Really annoying, since the rest of the speakers were pretty decent, but any more volume and that speaker would have been so much scrap. The center is mainly used for voice, but don't overlook it! Now I can crank to 100%!
More followup: It detects and streams audio from my Iomega StorCenter Pro ix4-200d 2 NAS (A network storage devide.)

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The THXSelect2 Plus Certified HT-RC180 combines the latest home-theater functionality with home-network capability to create a compelling mid-range centerpiece. A rear-side Ethernet port enables the HT-RC180 either to receive and output audio tracks playing on your PC, or to bypass your PC and directly stream internet radio stations such as Rhapsody and Pandora. The HT-RC180 provides five HDMI1.3a inputs to handle a range of high-definition video and audio sources. HDMI compatibility also enables the receiver to upscale any video input to 1080p via Faroudja DCDi Cinema. This 110 W-rated receiver also features Audyssey DSXand DolbyPro LogicIIz, two new surround-sound formats that expand the spatial dimensionality of games and movies. On top of all this, you also have Audyssey room-correction and equalization technologies working to create a well-balanced soundstage, no matter the volume level or the shape of your room. Among the other highlights of the HT-RC180 are a customizable remote controller and a proprietary Universal Port that enables single-cable connection of peripheral audio devices.

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12/30/2011

Onkyo TX-NR809 THX Certified 7.2-Channel Network A/V Receiver (Black) Review

Onkyo TX-NR809 THX Certified 7.2-Channel Network A/V Receiver (Black)
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I've had the previous generation 808 for several months, but had the need for a second receiver and wanted one I was already familiar with. Quite simply, I'm amazed at the sound quality of the 809. All music and movies sound much, much better - and the 808 is no slouch. The sound is richer, fuller and more balanced for all audio files - hi def files on my server, but also streaming music at low bit rates. Surround sound decoding and balance for movies is much improved and really adds to the "you are there" experience. The 809 helped me greatly with one of my major problems - subwoofers that don't have a lot of bark when Bruce Willis blows away the bad guys. Subs now sound much deeper and finally shake the floor and the only difference in my system is the 809. Onkyo has obviously put a lot of work into improving the audio processing technologies. GUIs are better - especially for the net function/button. I literally couldn't pull myself away from the 809 for hours after I set it up - I had to see how much better everything sounded. Couldn't be happier and consider the purchase worth every penny.

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With its advanced processing and fabulous array of connections, the TX-NR809 is ready to lift the roof off. Eight HDMI inputs handle all your high-def content, from master-quality audio to up scaled 4K video. Home network capability lets you bring streaming internet radio and PC audio to your living room. And the drop-down front panel conceals a plethora of one-touch audio controls and A/V inputs. Video -whether standard or high definition- gets the royal treatment from a high-quality HQV Vida processor and independent ISF calibration for each source. Advanced audio options include bi-amping, 7.2 multichannel pre-outs, and distributed multi-zone audio. As you'd expect from a receiver near the top of Onkyo's mid-range line-up, construction is first-rate. A massive transformer, symmetrical L/R channels, separate power and pre-amp blocks, and a highly rigid chassis provide the bedrock for a superlative audio performance. Built with the serious home theater fan in mind, the TX-NR809 offers a class-leading mix of power, features, and performance.

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Boston Acoustics Voyager VOYA5W 5.25-Inch 2-Way Outdoor Speakers (White) Review

Boston Acoustics Voyager VOYA5W 5.25-Inch 2-Way Outdoor Speakers (White)
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I shopped around and decided on the Boston speakers. Installed them on our porch deck and the sound was so great that we purchased another pair for the pool area. We have really enjoyed our purchase and have had positive comments from our friends.

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12/29/2011

Definitive Technology SuperCube III 120v Subwoofer (Single, Black) Review

Definitive Technology SuperCube III 120v Subwoofer (Single, Black)
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If you want a boomy, rattle the neighbor's house sound, then this Supercube is not for you! Its tight, and crisp bass make it an excellent choice for a bedroom or small room HT set-up. It delivers well for both music and movies. As a plus, Definitive Technology's customer service is the BEST. Most small replacement parts for their speakers are sent out free. Warranty service, if ever needed, is painless and prompt.

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Definitive's SuperCubes are a new breed of powered subwoofers which utilize unique technology and components in order to achieve state-of-the-art performance from remarkably small boxes. Remember, it is important to understand when you are evaluating the SuperCubes that you can not simply compare them to conventional subwoofers based on driver size. Because of their unique technology, the SuperCubes deliver far superior performance to conventional subwoofers which utilize drivers of 50% - 80% larger diameter. Definitive's elegant and ultra-compact SuperCube subwoofers deliver ultimate bass performance from beautiful enclosures that fit anywhere. They combine Definitive - designed, digitally coupled (patent pending) Class D digital switching amplifiers with extremely long-throw, huge magnet, front mounted subwoofer drivers which are tightly coupled to dual side-mounted, pressure driven infrasonic bass radiators. The SuperCubes deliver incredibly deep, high-impact low-frequency performance with superbly tuneful high-definition transient response for bass that sounds as good with delicate music as with earth-shaking action movies. Both include complete input, output, level control, continuously variable high-pass and low-pass crossover facilities plus a continuously variable phase control and direct-in LFE input. These remarkably compact superwoofers feature Definitive's signature piano-gloss black end caps and wraparound grille cloth styling.

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Denon AVR-891 7.1 Channel 135W A/V 1.4 3D-Ready Receiver - Black Review

Denon AVR-891 7.1 Channel 135W A/V 1.4 3D-Ready Receiver - Black
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As an amateur reviewer who finds himself reviewing a number of products, I am always torn as to how I should perceive the value of equipment relative to the MSRP or the price I paid. Some manufacturers use MSRP's as quick value engines in allowing retailers to show significant savings below the MSRP. This issue recently resurfaced in conjunction with a planned review of the Denon AVR891, which I recently purchased at a significant discount.
The Denon AVR891 retails for $799, putting it in what I would consider in the thick of mid-level receivers. Its primary competitors are the Onkyo TX NR708 at $899, the Pioneer VSX-1120 at $749, what I presume will be the Yamaha RX-V767, and its first cousin in the Marantz SR5005 at $799. To preface the Denon's place in this caste of receivers one must ask what should $800 buy in an AV receiver today. First and foremost, it must provide a reasonable number (greater than five) HDMI v1.4 inputs. HDMI has rapidly (and often painfully) become the single cable solution for high definition audio and video. An $800 receiver should provide not only analogue upconversion to HDMI, but also scaling and deinterlacing generally from a brand-name chip (ie Farjouda, ABT, Marvell, etc). An $800 receiver should provide flexibility in incorporating multiple zones, presence speaker configurations, and auto-calibration software. Advertised and delivered power should represent adequate muscle to push speakers at reference levels. Ipod, Internet, and Blutooth connectivity round out the modern featureset while legacy input and connectivity are rapidly fading as we move more and more to a truly digital realm.In that space, the Denon AVR891 nicely checks most boxes. It provides six, rear-mounted HDMI v1.4 inputs and some of the best video deinterlacing and scaling chips out there in the ABT2015 (it does fail to provide noise reduction which the Marvell chip might bring). The 891 (and its CI sister the 2311) offer two zone playback although the 891 lacks pre-outs as the 2311 is intended for more serious enthusiasts who might rely on a secondary amplifier. Like its predecessor, the 891 offers Dolby PLIIz height processing (although they share speaker terminals with the surround backs/zone 2). The only seven speaker binding posts is a bit more limiting than the rivals from Pioneer, Onkyo and Marantz (I similarly dinged the 791 for its lack of simultaneous speaker configuration). In real world use, this would prevent you from configuring a 7.1 setup and then switching to a 5.1 plus zone 2 arrangement if you wanted. While I do not know the popularity of wide setups in home theatres, the 891 lacks Audyssey DSX wide processing (you have to move up to the $1,000 AVR991 for audyssey dsx), which is also a bit behind the competitive curve set largely by Onkyo and Pioneer.
The AVR891 has a convenient and easily accessible USB port on the front of the unit for quick playback from an Iphone or Ipod. This plays catch up to Pioneer, who pushed IPod Connectivity last year and has now taken it a step higher and implemented control of the receiver by an Iphone (or computer in the case of the 1120). Onkyo and Pioneer also have internet-based streaming connectivity, Onkyo wearing the Yellow Jersey in bringing Pandora streaming to the receiver itself.
In respects of legacy inputs, the lower end Denon AVRs experienced a pruning in 2010 in reducing not only analogue audio, but also analogue (component) inputs. The 891 has two component inputs, which is double the rather Spartan AVR791. The AVR891 does maintain two s-video inputs, but dropped the zone 2 pre-outs as mentioned earlier.
Now that the AVR891's relative position in the marketplace has been set, I want to comment on the audio, and to the a lesser extent, video capabilities. I have owned two Denon AVR2310cis in the past and found the AVR891's setup very familiar and uniquely Denon in its layout. Best I can tell, the setup menus have not changed year over year, nor has the industry-leading osd lain over video. In my humble opinion, maintains its position of one of the slickest OSDs out there. Moreover, I failed to notice any of the picture quality degradation some OSDs can create (as witnessed in the Onkyo TX SR608). For someone with concealed setups hidden behind cabinet doors, I found myself very smug with the AVR891's ability to display volume, source, codec, and video info onscreen immediately compared to Pioneer VSX-9140TXH or Marantz SR6004 that preferred a more mystery or "you guess" approach.I have overall positive feelings about Denon's well-needed redesign of the factory remote. Last year's space taser was as confusing as it was non-ergonomic. It looked like it came from the dashboard of a Pontiac in the Hertz lot. Denon has simplified the remote and taken a conservative, traditional approach with a nice glow-in-the dark buttons that are somewhat visible in the dark. That said, I have three complaints about the remote. Firstly, for $800 I should get a learning remote without a doubt. The $550 Pioneer VSX-1020 has a learning remote. Secondly, while the gui remote programming menu is slick, it is desparately lacking preset codes. If you have an Oppo blu ray player, you're out of luck for example. Thirdly, the remote lacks a "display" or "info" button. While this might seem trivial, I use this button frequently on other remotes - whether it's to see more about the program from my cable box or where I am in a movie.
As I have said before, I find the ABT2010/5 chipset as one of the best performing chips in synthetic deinterlacing tests. Its film cadence recognition is accurate and quick. To this day, it remains the best I have tested, though I reserve the right to change my opinion when I test the Marvell chip in the new Pioneer VSX-1120 that might bring more to the table in respects of noise reduction. Either way, the video processing in the Denon is excellent and it remains one of the few chipsets I would recommend enabling for non 1080p sources (although its benefit for native high def (1080i) is minimal). I am a huge believer of letting sources or displays do the heavy lifting and finding a receiver that only passes video unmolested (might suggest why I have used Marantz and Pioneer units most recently). Best I can tell, the Denon does not molest video signals.
In respects of audio performance, the AVR891 is a great experience. It has adequate power to push normal speakers well beyond comfortable listening levels. I did notice the similar greater surround presence after running Audyssey with the Denon than I did with both my Marantz SR6004 and MCACC in the Pioneer. I mentioned this in my review of the 791 and remember anecdotally noticing it with my previous 2310s. This is by no means a complaint, just an anecdote as to the character of the sound stage the Denon seems to create. While I did not have the 791 side by side for my review, I feel confident in saying there is not a significant (or even noticeable) sound difference between the two in my humble opinion. While I did not open up both boxes and inspect caps and power supplies, I would reckon the 891 is fueled by a larger power supply, but has an identical amp section and dacs to the 791, but that is just my conjecture. I also do not feel there was much difference from the 2310, but that should be taken with a grain of salt as more time has passed. In respects of heat, the receiver runs warm, but nothing dramatic like Onkyos of prior years that served as small space heaters after an hour's use. That said, the Denon is a little warmer than the Pioneers, which might be a product of the amplification class design.
I have spent a little over two weeks with the 891 and have really enjoyed and am happy to say it will find a permanent - well as permanent as my AV fetish will allow - in my home. Its lines are tasteful and its osd is slick and ideal for my bedroom setup that has a wall-mounted plasma distantly arranged from the receiver. Its performance has been bulletproof and without any hiccup I have found...this is a very nice package overall.
That said, it does lack what I would consider game-changing value in one particular feature or another. To a larger extent, it's a re-release of the 890 or 2310 with HDMI v1.4 and a USB port. I realize that's not fair in the greater picture of technology advancements and planned obsolescence, but the frugal Scandinavian in me has to point the value disparity in the $800 AVR891 and its heavily discounted predecessor AVR890/2310ci. Unless a 3D display is being unloaded from the UPS truck, I would hesitate to steer folks beyond the incredible value a 2310ci, 890 or even 3310ci presents right now. While I know this model year dilemma hits every summer, I feel the price disparity might be too much to push my recommendation to the 891, even though in every way it's a great receiver.


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12/28/2011

Definitive Technology SuperCube Reference 120v Subwoofer (Single, Black) Review

Definitive Technology SuperCube Reference 120v Subwoofer (Single, Black)
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I own four Mythos STS's,2 Mythos Gem XL's and a Mythos Ten. Which all combined puts out very very powerful and forceful amounts of bass and excellent sound quality. But I decided to get 2 of these behemoths and they are like a sleeping giants one minute they are asleep and the next they send a shock wave like a bomblast through me and my house. For music they are pretty good I give them a 7 out of 10 but for movies and video games that is where they really excel for movies and games I give them a 10 out of 10 they are unbelievable especially Blu Rays or HD DVDs. Movies and games really reach subterranean depths they can put out bass so low you can't hear a thing but you feel them shaking the earth and resonating through your body and pressurizing the entire house they truly put out more bass than anything I have felt in theaters. Sometimes the bass feels as if I am in a river stream with fast moving water all around me but it is not uncomfortable. Normally I just have the both of them at 50% gain and that is more than enough. Someone asked me why so much power and bass because with my 4 Mythos STS's and there built in amps along with my 2 Super cubes I have a total of 4,800 watts of subs, but I think it is better to have a gun and not need it than need a gun and not have it lol. But it is not all about just bass and power and volume it is about sound quality and being able to integrate them into you sound system with out overpowering the other speakers. I have had no issues doing just that. If you want to see pics of my HT setup and many many others go to "B l u r a y . c o m" my profile is Alpha Sixx.

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With a 14" SuperCube Technology driver pressure coupled to two 14" infrasonic radiators and an 1800-watt class D amplifier, the SuperCube Reference is indeed the reference when it comes to subwoofer performance standards.

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SONY STR-DA3000ES ES ( Elevated Standard ) Audio / Video Receiver Review

SONY STR-DA3000ES ES ( Elevated Standard ) Audio / Video Receiver
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Im not sure what the previous reviewers problems were? But My sony STR-DA3000 ES has been working perfectly for 3 years now. I have driving my 7.1 setup of Mirage Omnistats and Polk Sub in the Game room and controling the XM/CD music piped outside under our two decks! Ive been in Electrical/Software Engineering for 26 years and a Musician for 33 years, I know sound and I know power and this provides both very well.
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12/27/2011

MartinLogan DYN500D Dynamo 500 Subwoofer (Black) Review

MartinLogan DYN500D Dynamo 500 Subwoofer (Black)
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I was incredibly fortunate a few months ago to get a pair of MartinLogan Motion 10 front right and left speakers. They were so much better than the other speakers I had in my 5.1 home stereo system that I knew I had to upgrade. Eventually I hope to add the Motion 2 speakers at the back, but for the meantime I added this extraordinary Motion 6 center channel speaker and the MartinLogan DYN500D subwoofer. The results have been amazing. The sound quality is as good as I could reasonably hope for. I've tried a wide variety of CDs - rock, folk, classical, classic country (and yeah, there is point to that distinction - while some contemporary country acts are great, like the Dixie Chicks, most are utterly miserable - but Ernest Tubb and Hank Williams and Lefty Frizzell and Jimmie Rodgers are among the greatest performers America has produced) - and mono, stereo, and surround sound DVDs and Blu-rays, and the results have been spectacular. I've cranked the sound on Barbirolli's outstanding version of Ralph Vaughan Williams's "Fantasia on a Theme of Thomas Tallis," louder, in fact than I ought as a good neighbor. The louder I play it, the better it sounds.
The difference these speakers make in enjoying my Blu-rays is enormous. They add a dimension that was previously completely lacking. It even makes a huge difference with PS3 games. In fact, I had no idea of just how good these speakers were until I was playing Fallout New Vegas. In one quest you have to go to the top of a mountain where it starts to thunder and lightning. Lion, a German Shepherd who lives with me, has ears better than humans and rarely is deceived by anything on regular speakers. But he never gets deceived. But when it starts to thunder and lightning on the mountain in my game, Lion, who is afraid of thunder, gets uneasy. I then remember to mute the sound, but seeing him respond to the thunder in the game tells you just how good he thinks this sounds.
The one significant change I have to make switching from movies to music is that I have to alter the bass settings on the subwoofer. I have to turn it way down for movies or the bass overwhelms all the rest of the sound, while if I don't turn it up for the music the sound is too thin. But apart from that minor issue, these are just just great speakers. They are versatile, sounding great with just about any kind of music or movie. It may be a while before I can get the Motion 2 speakers to complete the 5.1 speaker system, but having the rest has led to some great entertainment.
I passionately recommend these speakers for almost any kind of use. They are great for general and specialized use. I would not have gotten these had I not been lucky enough to get the Motion 10s as part of the Vine Program. But I'm profoundly grateful that I did. Now I have a wonderful stereo systems that gives me continued satisfaction.

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No other subwoofer offers Dynamo 500;s bass extension, power, and detail at such an affordable price. Perfect for either home theater or stereo applications, the Dynamo 500 is solidly built with high-density materials to minimize cabinet resonance and provide a foundation for the high-output 10-inch woofer and high-current 120-watt RMS, 360-watt peak amplifier. Additionally, dual rear-mounted low-turbulence ports maximize bass output while minimizing port induced distortions. Whether you are looking for high performance bass to enhance your music experience or take your home theater system to the next level, a new Dynamo family subwoofer should be at the top of your list. 10-Inch Low-Distortion Woofer; Dynamo 500;s high-resolution driver combines a 10-inch polypropylene cone with a high-intensity magnet structure to achieve huge excursion and output capability without sacrificing detail. By eliminating cone flexure, even at long voice-coil excursions, Dynamo 500;s advanced-technology bass driver achieves the very low distortion necessary for proper blending with MartinLogan ATF (Advanced Thin Film) and electrostatic speakers. Dynamo 500;s amplifier belongs to a recently-developed class of switch-mode designs that incorporate a variety of innovative techniques to reduce noise, distortion, and heat to the lowest possible levels. In particular, the switching frequency is much higher than in typical subwoofer amplifiers of this type, providing a tremendous true 120 watts continuously with extremely low distortion.Dynamo 500;s connections and controls are designed to enable easy, seamless integration with any stereo music or multi-channel home theater system. Its main left and right line-level inputs feed into a precision low-pass filter with a cutoff frequency variable from 50 to 200 Hz. For systems in which a surround processor supplies the crossover, Dynamo 500 provides an LFE input low-pass filter switch that completely bypasses its internal filters.

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Shure Beta 98H/C Clip-On Cardioid Instrument Microphone Review

Shure Beta 98H/C Clip-On Cardioid Instrument Microphone
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I've been using this microphone for a number of professional performances over the last seven or eight years. The Shure Beta has one of the best quality sounds and pick up of any microphone I've ever used. Clamping it to the bell of my saxophone allows movement without being tied to stationary microphone stand. The only issue has been the thin cable that connects it from the clip to the XLR connector. It doesn't take much to damage it (this is the second one I own) and over the years, it obviously wears faster than an ordinary microphone/cable. The result is that the longer you own it, the more careful you have to be or else you'll have a crackle and pop everytime you move the wrong way. It's a shame they can't improve on the design of the otherwise amazing microphone. I've tried to compensate by leaving the cable wrapped in the reel (taped up) with only enough length required to get the clip from my waist to the bell of the saxophone which has helped extend the life this long. I'm getting ready to replace it again and I'm thinking about shifting to a wireless.

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The Beta 98H/C premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments, and its transformerless preamplifier circuitry improves linearity across the full frequency range. The pickup pattern of the BETA 98H/C provides high gain-before-feedback and excellent rejection of unwanted noise. Its high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.
The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument "key noise" and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.

Key Features
Transformerless preamplifier circuitry that improves linearity across the full frequency range.
Pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.
High maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.
10-foot high-flex cable with attached preamplifier (XLR connection)
Tailored frequency response for open, natural sound reproduction
Compact, lightweight construction provides a low degree of visibility
Gooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning

Applications and Placement The most common BETA 98H/C applications and placement techniques are described below. Keep in mind that microphone technique is largely a matter of personal taste; there is no one "correct" microphone position.
Saxophone Placement: Clamp the microphone onto the bell of the saxophone, so the microphone is a few inches from and facing into the bell. This will produce a bright tonal balance while minimizing feedback and leakage.
Soprano Saxophone Placement: Clamp the microphone onto the bell of the saxophone and adjust the gooseneck so the microphone is facing the keys of the instrument, a few inches from the lower keys. This will produce a warm and full tonal balance. For a brighter tone, adjust the gooseneck so the microphone is facing into the bell, a few inches away.
Trombone Placement: Clamp the microphone onto the bell of the trombone and adjust the gooseneck so the microphone is facing directly into the bell, a few inches away. This will produce a bright tonal balance while providing maximum isolation.
Trumpet Placement: Clamp the microphone onto the bell of the trumpet and adjust the gooseneck so the microphone is facing directly into the bell, a few inches away. This will produce a bright tonal balance while providing maximum isolation.
Drum Placement: Clamp the microphone onto the drum rim and adjust the gooseneck so the microphone is aiming a few inches above the drum head and an inch from the rim. This provides a full tonal balance.

Specifications
Type: Condenser (electret bias)
Polar Pattern: Unidirectional (cardioid)
Frequency Response: 20 to 20,000 Hz
Output Impedance: 1200 ohms
Output Level (0 dB = 1 volt per Pascal): Open Circuit Voltage: -56.5 dB (1.5 mV)
Output Clipping Level (at 1kHz, THD < 1%): -9 dBV (0.35 V)
Maximum SPL: 143.5 dB
Dynamic Range: 112.5 dB
Signal-to-noise Ratio: 63 dB at 94 dB SPL (IEC 651)
Polarity: Positive pressure on microphone diaphragm produces positive voltage on pins 3 and 4 with respect to pin 1 (ground).
Weight: 2.3 ounces


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12/26/2011

Cambridge Audio Azur 350C CD Player, Silver Review

Cambridge Audio Azur 350C CD Player, Silver
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I'm a huge fan of Amazon.com, and I've been a faithful shopper for years. I have a +20-year-old system composed of a Carver receiver and Bose 901 speakers. My CD player recently went bad, and I did some research online and came across Cambridge Audio. As I didn't want to spend a lot of money, I finally decided on the 350C, as the ultimate compromise and value for the money. It came quickly and the set up was a snap. And, oh what a difference it made to my system! What a quality increase! What excellent value for the money! I highly recommend this CD player. On the first CD that I played, I could tell a huge qualitative improvement over my older CD player. The background was silent and the soundstage improvement was audibly noticeable. The 350C really made the Bose 901s pop! There is real punch there, particularly in the mid-range and hi freq area. Bass is fine and not overbearing (as it was with my previous CD player). I was so impressed that I bought new speaker wire and interconnects. Again, another improvement. My older system sounds like it's brand new! I am now thinking that I will upgrade my present system with a Cambridge Audio amplifier to replace the old Carver. It's about time to retire it, as it's been a true workhorse. Full disclosure: I have a very high-quality hi-fi system (Rega Saturn and Elicit and Linn Majik speakers) that I spent a lot of money on; but, for most of the folks who listen to my music, they are unable to really distinguish any real differences in the sound. In fact, most prefer the Carver/Bose/Cambridge Audio lineup to the much more expensive system, as it can really put out some sound-and-music!

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Kicker 06SKM10 4-Ohm Marine Subwoofer with Grill in Seal Box Review

Kicker 06SKM10 4-Ohm Marine Subwoofer with Grill in Seal Box
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This works pretty well in a inboard ski boat, however the mounting options are limited as the brackets attach only on the sides, making it difficult to tighten down in the tight confines of a boat. The sealed enclosure delivers adequate bass to complement the other speakers.

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The wave-crashing SKM10 Marine Sub Box will have everyone on the water talking... and listening. This 10-inch marine subwoofer and grille, with a rugged design and working from inside a legendary sealed KICKER box, give new meaning to the term "pounding surf." The SKM10 provides a seawall of bass, though it's compact enough to mount in tightest of spaces, such as the driver- or passenger-side toe well or in the rear-seat storage area. With an easy, do-it-yourself connection, the party barge is minutes away from launch.

The woofer's sealed motor assembly and cone make up only part of the enclosure's outstanding reputation for battling nature's extreme elements. The sub's injection-molded cone and basket are UV-treated to reflect harmful solar rays. The tough, molded polyethylene box is designed to be highly water-resistant. And all accompanying hardware and mounting brackets are created from rustproof stainless-steel. KICKER Marine gear meets or exceeds industry standards for environmental humidity and corrosion and for material degradation due to UV exposure.
Also, the SKM10 Sub Box uses the highest available level of magnetic shielding to lessen compass and gauge deviation in the boat's dash, eliminating any navigational complications.
KICKER is a member of the American Boat & Yacht Council (ABYC), a leader in education for the marine industry, and the National Marine Manufacturers Association (NMMA), which supports the U.S. recreational boating industry.
KICKER SKM10 Features
Co-molded SoloKon and surround for the harsh marine environment
Polyimide (Kapton) coil former with Nomex reinforcement for high thermal capability
Polycarbonate basket
Sealed speaker connections with locking cover
UV treated
Heavy duty grille
Includes "L" brackets for mounting

What's in the Box SKM10 enclosure, Mounting brackets, Installation hardware, User's manual

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12/25/2011

MartinLogan Purity Fully-Powered Hybrid Electrostatic Loudspeaker (Single, Black) Review

MartinLogan Purity Fully-Powered Hybrid Electrostatic Loudspeaker (Single, Black)
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I have been a long-time user of Martin-Logan products and knew both partners when they sold stereo equipment in Lawrence, Kansas back in the early 80's. My first product to hear was the Monolith and I owned the original Quest. When buying M & L you must realize that you are buying a piece of scientific equipment. One, you are purchasing an electrostatic panel and two, you are purchasing a speaker that will need to be placed OPTIMALLY in your room to get the best sound possible. Those rules are: Electrostatic elements DO NOT LIKE a smokey environment. If you smoke or you burn incense and/or candles, over time your electrostatic panels will accumulate a film that will affect the sound of the speaker. Since the panel has an electronic charge, it will have the necessary ingredients to form that film from air-borne contaminants.
Location, location, location. All electrostatic panels push sound from the front AND from the rear. If you do not have your speakers placed away from the back wall, you will find that the sound from the rear of the panel will be out-of-phase compared to the sound from the front. The two sounds will cancel each other either partially or fully making a muddy sound. You want the sound to be ideal since the sound pressure from the rear of the panel is what gives that "encompassing" sound that these speakers are known for. Ideally, you will need at least two feel of space behind the panel and the speaker will need to be toed in to eliminate that interference. If you have a room that is not large enough to place these speakers and still contain your large screen TV AND THE REST of your furniture, then don't purchase them, you will not get the enjoyment from them as you might think you will. If you follow the rules, you will have the most enjoyable speaker made by man.
Now the power. You may ask; "why does it have a internal power amplifier?" One of the early requirements with M & L speakers were that they were quite power hungry. Later models addressed that problem, but they still required a power amplifier that moved a lot of Current (amperes) not Power (watts). Consequently, people who bought these speakers also had a lot of money rapped up in an expensive high current power amplifiers. Since these M & L's have the power built in and are matched to the speaker, the extra money to purchase these speakers are well worth it. Remember, you are purchasing TWO mono-power amps when you purchase two speakers. That alone is worth at least $1200 if you were to purchase two high end power mono current amps by themselves. You can also use the speakers to play back any device that has a built in volume control and a line level output source, e.g iPod, Satellite Radio, even your computer. As a surround system, you will need at least four of these units plus a center channel or another one of M & L's speakers that are matched to these units. Remember, if you use self powered speakers you are running line-level signal wires instead of speaker wires that tend to loose efficiency over long runs as do the line-level signals but not as much and which are more stable.
All in all, these are probably the best value out there for a high end speaker that has the sonic wonderment that most people will marvel at. If you ever auditioned a pair of these speakers, you will not want anything else in your home.

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Klipsch Reference Series RW-10d - Subwoofer - 260 Watt - black ash Review

Klipsch Reference Series RW-10d - Subwoofer - 260 Watt - black ash
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I purchased this subwoofer to replace my Pioneer 200 watt 12" subwoofer which has seen its better days. I can say I am completely satisfied with the way the RW-10d performs in conjunction with with my Denon AVR-1906 receiver and Klipsh surround speakers and Bose center speaker. It adds depth, without distortion, to both my theater and music experience. Whether I am watching a drama with low volume deep tones, like a car engine or a fast action movie with the rumble of jet engines and bombs exploding, with enough kick to feel the action, it gives one the feeling of being there. As for music, I like everything from soft jazz to classic rock. The RW-10d adds enough bass to give a realistic live performance sound experience. My past experience with subwoofers is that no one volume setting works for all applications. The handy LED adjustment on the top of the speaker cabinet make this easy with the touch of a couple buttons. I wasn't sure how I would like the vertical mounted speaker. For years most speaker manufactures subscribed to the down firing subs, but I find this arrangement much more suited for home use were sensitivity is more important than a deep hard thump of hip hop. I have now incorporated my old 200W Pioneer with a replacement speaker in my DJ business system and I get just that kick I need for heavy dance music. As for the Klipsh RW-10d the only con I can think of is the need to get out of my recliner to make an adjustment for music or theater listening. A remote would have been nice, even if it added another $20 or $30 to the price. If you want good clean sound, as Klipsh is known for, I highly recommend you add this to your system.

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12/24/2011

Harman Kardon Signature Series 2.0 Surround-Sound Processor/Tuner Review

Harman Kardon Signature Series 2.0 Surround-Sound Processor/Tuner
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This is simply the best audio processor I have owned (Denon and Onkyo pale by comparison) This receiver has ample Coax, Fiber, s-video, and RCA connections. (Sadly no composite video). You can create absolutely perfect reproductions with the onscreen programming. Each channel of sound coming in lists if its to low, high or reference. You adjust the gain so that each audio channel is staying within refernece (For instance my VCR is +22, the CD player is -5) In addition you can use any audio and any video source at the same time - say your listening to a CD and want to watch DSS or DVD, no problem. You set the distance from the listener to the speakers, so the speakers have the correct volume. You also have 6 channel input as well. The finest DSP you can purchase

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The Signature Model 2.0 Processor/Tuner has been designed to provide all the excitement and detail of motion picture soundtracks and reproduce every subtle nuance of your favorite musical selection. On-board Dolby Digital and DTS decoding enables the 2.0 to deliver six channels of fully discrete sound from the exciting new digital audio formats that are a part of DVD and HDTV broadcasts. A wide selection of matrix decoding modes delivers full compatibility with conventional Dolby Surround stereo and mono programs. The 2.0 is also ready to accept future surround systems through the use of six-channel direct inputs that accommodate optional outboard decoders for future surround systems.While complex digital circuits are hard at work within the 2.0, a simple F menu system and learning remote control make the unit easy to install and operate. In addition to selecting from a variety of audio/video sources, the Signature 2.0 is equipped with the latest in tuner technology, including the RDS data system that automatically identifies FM stations transmitting special data and provides information they transmit about the station's programming. The RDS system even lets you automatically search for a station with a specific program type from the participating stations in your reception area.

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Sharp HE LC46LE830U 46-Inch 1080p LCD TV -Black Review

Sharp HE LC46LE830U 46-Inch 1080p LCD TV -Black
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Picture on this TV is exceptional. Set-up was easy. The manufacturer apparently assumes this TV will have a sound system added to it as the basic sound system on the TV is not very good.

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Internet-Ready Television

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12/23/2011

BIC PL-200 Acoustech Platinum Series Subwoofer Review

BIC PL-200 Acoustech Platinum Series Subwoofer
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I posted this "mini review" on a well known forum, seems there are a lack of reviews on this product, so, hope this helps.
Well, I finally got my PL-200 today. I have been testing and calibrating for the last couple hours.
I did a comparison of the PL-200 versus my Axiom EP350 sub. PL-200 = $329.00 and my EP350 = $758.00
The results surprised me, but not so much really. I will just go ahead say this. The PL-200 kicked my EP350's arse!
Now, keep in mind, I have much more testing to do. I first adjusted both subs to 75db using my digital sound level meter. C weighted & set to slow. The first thing that caught my attention was while running my test tones starting at 80HZ down to 15hz for each sub independently, was my EP350 would not even register any decibels at 22hz. The PL-200 easily hit 76db @22hz. I knew then the Axiom sub was in trouble.
Then I went on and ran MCACC at full auto, tweaked my levels, then ran MCACC advanced mode keeping the speaker settings.
I first played a lot of favorite songs, from the deep bass of "Peg" from Steely Dan to Dream Theater to Queensryche to Metallica's Black CD. The PL-200 filled out my room (4500cuft) nicely, no boominess, no muddiness, just clean well rounded tight bass. Kick drums hit hard and in my face. I pretty much compared a lot of songs with and without the Axiom sub.
I have each sub in the far corners of the room right outside my Axiom M80 towers. I must say I'm lovin the PL-200 so far.
Unfortunately, I only have 1 Blue ray disc at this time and it was Twilight New Moon. Not the best movie for lows. But, I'll have to wait for some more movies from Netflix to test the PL-200 further.
But what I did hear (both subs running) was nothing short of amazing. I can't imagine how Dark Knight or Transformers will sound. Because some of the wolf fighting scenes in Twilight rocked the house, everything was shaking. I could "feel" and hear the walls rattle.
So to summarize the PL-200 with just a couple hours of use, I would say this:
If I had to do this over again, I would have just bought 2 PL-200's instead of the Axiom and saved some money. The PL-200 is an incredible value and when cranked up some, will produce test tones down to 20hz and 18hz nicely. The Axiom EP350 just can't do that, and it's more than twice the price. I'll try to report back here when I get some more bass intense movies, plus I need to tweak some more.
As a side note, I'm really thinking about replacing the PL-200 stock amp with the 500 watt Bash amp, just for fun. But believe me, the stock amp rocks! This is more than enough low end thunder that I will ever need. I just can't see investing $1200.00 plus for a high end sub. One of the reasons I went for the PL-200 to begin with was I wanted 2 subs and I can spend the money I saved, on the Velodyne SMS-1 Sub Eq. I should be ordering the SMS-1 in a couple weeks. This will round out my system for awhile.
Below is my gear if anyone is interested: Take care!
52" Samsung HDTV, Axiom M80 fronts, VP100 center, EP350 subwoofer, Samson Surrounds, Pioneer VSX9040 HDMI AVR, Odyssey Khartago Monoblock Extremes,
Xbox 360, Sony PS3

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