12/23/2011

TEAC GF-350 Turntable / CD-Recorder Review

TEAC GF-350 Turntable / CD-Recorder
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Here's a new electronic wonder that could have been truly great, but isn't.
On the plus side, it's great looking and very easy to use. Put in an Audio CDR or Audio CDRW (it won't take blank computer discs), adjust the recording volume, push a button and voila... you have a CDR of your old favorite record album or cassette. It can automatically insert track breaks as well, but it is probably better to use the manual track break insertion method (as recommended by the instruction manual), as many original musical sources have quiet spots that can "trick" the Teac into adding one where you don't want it.
Now for the negative... as previous reviewers have stated, the playback sound is disappointment, and by this I am referring to what you get when you put your newly created CDR into your stereo system. The bass response is not adequate. This is the result of Teac chosing to use a ceramic cartridge for the tonearm. This otherwise great machine would have been better served with a magnetic cartridge. Yes, it would have cost more, but would have been worth it.
A few lesser negative points include the fact that Teac chose to include an AM/FM radio rather than a cassette player. My guess is most people would buy this machine to transcribe their old collection of LPs and cassettes that have not been received official release in compact disc format. So why the radio instead of a cassette player? You can record cassettes using the input jacks and provided cables, but you also have to "tie" the Teac to your stereo system in order to do so. Also, what's the story with having input jacks, but no output jacks? You have to listen to the records on the okay, but small speakers provided in the unit, but you cannot listen directly through your stereo system.
In summary, this is a fine machine for those who are not audiophiles. Again, it is easy to use and after a couple of "practice" recordings, you can burn CDRs as fast as it takes the records to play. But if you're expecting CD-quality results, you'll have to use the input jacks to connect to your old magnetic cartridge turntable. This could have been best electronic invention since the advent of the CD, but it falls a little short.

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Finally, there's a way to burn vinyl to CD that doesn't require a computer or an engineering degree. With Teac's GF-350 turntable and CD recorder combo system, you simply load a blank CD-R or CD-RW, put on your LP, press "record," lower the tone arm, and press "play." You can record the entire album or simply pull select favorites from your entire collection to make your own unique compilations. Monitor your recording through the systems amplifier (3.5 watts per channel x 2) and twin 3-inch speakers, or avail yourself of the convenient front-panel .125-inch headphone jack.The system is finished in black with a handsome woodgrain texture. Level meters and other CD feedback is visible from the system's backlit LCD. Please note that the GF-350 records only with CDs designated as "music" or "digital audio" (also CD-DA); computer-grade data CD-Rs are incompatible.The GF-350 also offers features like automatic or manual track increment options (with 2 different level thresholds to choose from), manual record-level control, and an auxiliary set of RCA stereo analog audio inputs for recording from external sources like cassette, reel-to-reel tape, or even another CD player or MP3 player. Playback features include shuffle play, repeat play (1/all), and 32-track programming.Tune in your favorite swing or big-band station on the rotary analog AM/FM tuner. The turntable supports 33-1/3, 45, or 78 rpm records, so you can play your entire collection--it even comes with a handy center-hole adapter for your 7-inch/45 rpm singles. A remote lets you operate everything from the comfort of your easy chair (but remember, you still have to get up to flip the records!).What's in the Box GF-350 system, 7-inch record adapter, a remote control, remote batteries, a user's manual, and warranty information.

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12/22/2011

Alpine iDA-X305 - Radio / digital player - Full-DIN - in-dash - 50 Watts x 4 Review

Alpine iDA-X305 - Radio / digital player - Full-DIN - in-dash - 50 Watts x 4
Average Reviews:

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This review will be pretty in depth, but will focus primarily on the important things. I'm going to start with the iPod/iPhone stuff first, since I would imagine this is a big reason why many people are looking into this deck.
I will preface this by saying I bought this because I needed a deck that could play music from my iPhone 3G.
*****
UPDATE: I can confirm that the iPhone/iPod 3.0 OS Software is compatible with this deck. In fact, it makes the experience a TINY bit easier because the iPod app no longer launches when you plug in your iPhone/iPod, which means you can be doing something on your phone and not worry about it getting exited when you plug the phone in. It still switches the source to iPod/iPhone, but at least the iPod application on the phone doesn't launch.
*****[iPod/iPhone/USB Stuff]
*******************
This deck supports an impressive amount iPods, iPhone 2G and iPhone 3G, Flash Drives, and most likely many other USB based players. It has a USB port in the back of the unit that screws in to avoid it coming unplugged during normal road bumps, etc. The USB cable they provide you with is nice and long. In my case, it would run almost all the way to the back of my SUV (Buick Rendezvous). It comes with a special iPod/iPhone connector that will charge the iPhone while you play music. Using a normal iPhone cable does not work, the deck gives you an error and throws a fit.
The iPod/iPhone functionality is very solid. It offers most all the sorting types of the iPod (Album, Artist, Song, Playlist) and even will show album art. Though the album art shows up fine when it is smaller, changing the view type to the album art only screen results in blurry/pixelated art work. I was slightly disappointed that there is no "Genius" functionality here, but that feature is pretty new, even to the iPod.
You can advance songs, go back a song, pause, and turn on song or album shuffle on the deck itself.
I personally find it difficult to use the deck to scroll through music, because of how unresponsive the knob is. Turning the knob is very similiar to setting your 10 speed bike to the highest speed. Even though you are pedaling REALLY fast, the tires are moving at a slower pace than if it were at a low speed. If you turn the dial really fast, it only advances 2, 3, maybe 4 spaces on the screen. This makes it hard to scroll through lots of artists, albums, or songs.
Additionally, plugging the iPhone or iPod touch into the stereo cuts off your use of the iPod application, so controlling the song play through your iPod (which I would prefer) is not possible.
Here is the bad part: it is very inconsistent and stubborn when it comes to recognizing my iPhone. If I have the iPod application up and running, then I plug it into the stereo, it will either give me an error on the deck, or tell me the device was not made for the iPhone. This means I have to close the iPod application, then plug it in to the stereo. This wouldn't be so bad, but it also seems to react differently based on whether or not a song is playing, paused, or no activity whatsoever. If I am playing a song when I plug it in, all sorts of crazy stuff happens and I end up having to unplug and replug and then pause and then quit out of the iPod app, and unplug again, then replug before it will work.
Again, wouldn't be so bad, but I find myself spending alot of time just trying to get a song playing instead of just plugging it in and driving.
Also, there is no option to not automatically switch to the iPod source when I plug in the phone. This sucks because if I just want to charge my phone, it will automatically switch the radio to the iPod source, forcing me to push source again to get back. This wouldn't be so bad, but I sometimes listen to Pandora Radio Application through my stereo, and if I am listening to it on my headphones while walking to my vehicle, plugging it into the stereo causes the application to quit, effectively cutting off my music, forcing me to relaunch Pandora and wait for it to buffer my song again. (This may be a personal problem, but it is relevant). It would be nice to turn off Auto Switch as far as the source goes.
Other than no Genius support, not being able to control from the iPhone/iPod itself, and the auto source switch, the iPhone/iPod functionality works well. I just wish I could get in my truck, turn it on, plug in my phone and leave. Instead, getting a song going is a chore. I end up sitting in my truck fidgeting with the deck instead of getting on the road.
[General Use]
***********
You WILL need to read the manual (comes on a CD in the box) in order to figure out some of the functions of this stereo. Though some of it is pretty straight forward, other functions are hidden, or are a string of button presses and knob turns to get to. They managed to make even simple tasks like setting a station preset slightly difficult.
I found it strange this unit does not support RDS, so you will miss out on the useful information that radio stations have to offer in the way of song artist and title, etc..
The clean face plate comes at the price of having to use menus to get to everything, but I expected as much, and boy are there alot of menus.
Two of the front buttons are dedicated to functions that are not even built into the deck itself, so this is kind of frustrating, especially since these addons will cost you upwards of $150 each. It seems like something better could have been put in those 2 slots (but maybe it's just me who may not be buying both addons).
All the buttons and knobs are easy to use and control, though I wish the knob itself was a little bit "stiffer." Turning the knob has inconsistent functionality. Turning it very slowly ensures you advanced to the next item in a list with every tick (clicks are very close to each other), and turning it very quickly has mixed results (sometimes it will advance you only 1 list item, sometimes a few more). Whatever the case, it is cumbersome to scroll through long lists, even with the inclusion of the "percentage" scrolling type set on, which lets you advance to a specific percentage in your music list, etc. This is kind of useless, since I don't memorize, or care to memorize what percent Metallica or any other artist is at...
Additionally, the ring of the knob can be pressed in and turned a quarter of the way to the right or left. This functionality has different uses depending on what menu, feature, or functionality you are using from the stereo.
All buttons are easy to press and sturdy. The face plate itself is very light (a good thing in my opinion) and only the button portion comes off, the LCD stays attached to the unit, making it easier to carry, but the screen itself may still be enough to tempt somebody. The back button is pretty useful and works well, especially when you are new to this unit, because you WILL venture into the wrong menu several times.
You can change the color of the interface from Blue to Red, as well as change the background using the ones built into the unit, or via a flash drive by downloading wallpapers from Alpine's media website.
[Sound]
*******
The deck sounds great. I can crank it up pretty loud (with lotsa room to go higher) and everything still sounds crisp and clear. There is a ton of room for turning volume up and down on this unit, so you will be able to find the volume level that is JUST right all the time. Has separate controls for subwoofer volume and all the fun equalizer stuff you could want (gotta look in the manual for how to do it).
[Expandability]
************
This thing can do pretty much anything you need, but it will cost you big money. It is ready to accept HD Radio, Sirius Satellite, Bluetooth Connectivity, and even an Imprint Sound Processor... but each accessory will cost you $150 plus. It is great they have support for these things, but they are expensive and probably could have been included in the stereo itself, especially when you consider the price tag this baby has. I knew it didn't come with these things when I bought it, but still, when they dedicated 2 of the very few buttons on the face plate to items that are not available in the unit by default, it is kind of frustrating.
There is no CD player built into this unit.
[Final Word]
**********
This is a great unit and has much to offer in the end of owning something fresh and great looking. It definitely stands out and has a nice LCD screen that is put to pretty good use. I wish you could adjust the size of the text on screen, as I like to have more words on screen over having it be more readable.
I hope there is a firmware update to add in genius functionality for the iPod/iPhone and fix the difficulties that can occur with plugging the phone in and getting it to be recognized.
I would definitely suggest this unit to anybody looking for a good deck that supports iPhone/iPod and is looking for ease of use and nice LCD screen space and use. Although it can be a difficult adjustment changing songs with the deck itself, it is stille very likely the best implementation of iPod/iPhone use in a deck to date. Hopefully we will see a firmware update that lets you control the unit from the phone.
If you are looking for expandability, then this is also your unit. You can do pretty much anything you feel if you are willing to pay the price for the addons. It has a nice lengthy USB and all the connections you need for your iPhone or iPod.
*************
* 4/5 Stars
*************

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Yamaha RX-V3900BL 7.1-Channel Network Home Theater Receiver (Black) Review

Yamaha RX-V3900BL 7.1-Channel Network Home Theater Receiver (Black)
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I purchased this unit a week after it went on sale. I had been investigating the device for some time prior to the actual release. I used this to replace a Yamahe DSP-A1 purchased about 10 years ago. I wanted to simplify my cabling by switching to an HDMI capable receiver. The availability of 4 HDMI inputs was a big selling point for me.
After initial setup I put the unit through it's paces with SACD recordings of Elton John's Madman Across the Water and the Alman Brothers Eat a Peach. The SACD 5.1 sound from my PS/3 over the HMDI was exceptional, wonderful depth to the soundfield. The video upscaling in this unit is far superior to that included in my 50" LG Flat Panel and has made watching non-HD signals much more palatable. Using blu-ray DTS HD and DD Pure HD both sound amazing. I also purchased a Rhapsody subscription account to use with the unit and love the virtual library of hundreds of thousands of CDs at my fingertips through the remote. I have found several albums on Rhapsody that result in a "unable to play" error, I am not sure if they are encoded in a format other than MP3 or if this error also occurs when using Rhapsody on a PC, these were usually extremely obscure recordings.
The onscreen Ipod controls are great and the album cover display is a great addition, now if they could only get the album, flip view from the iPhone or iPod touch working for scanning through and selecting albums/songs that would be truly fabulous.
The lack of inclusion of wireless networking is a big mistake in my view, how many people would have their ISP drop right next to their stereo system? I overcame this easily with the purchase of a "Wireless Gaming Adapter" which attaches to the Ethernet port on the receiver and connects it to my wireless network, this solution has worked well and runs about 50-100 dollars.
My biggest concern with the unit has been the adaptive sound leveling. This is a great feature to make sure you don't get blasted out of the room when commercials come on at twice the volume of your show. Usually this feature mutes the sound and makes the adjustment very quickly but every now and then it has difficulty setting the volume accordingly and drops the audio for as much as 10-20 seconds, very annoying when using DVR functions to skip commercials then having to go back 2-3 times to get the audio enabled again at the end of the commercials. Once the unit could not seem to set the audio at all and it required selecting a different source before sound was enabled again.
Overall I am quite happy with the unit and hope that a software/firmware upgrade may alleviate the audio level drop issues at some point in the future, while sometimes annoying this issue comes nowhere close to outweighing the great benefits of this receiver.
Pros:
Exceptional sound quality
Great video upscaling
Extensive features listing
Amazing array of device connections
Cons:
Not in everyones pricing range
Initial configuration not for the inexperienced
No built-in wireless networking (could have been a design decision to reduce potential degration of the audio signal)
Infrequent extended audio drop outs when relevelling the audio between programing and commercials or when changing stations
Some CDs visible through Rhapdosy cannot be played

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Yamaha's next generation 7.1-channel Network AV receiver offers unsurpassed versatility, access to today's most popular music sources including Internet Radio, Rhapsody online music service, music streaming from PC, HD Radio with iTunes tagging, XM and SIRIUS Satellite Radio ready, USB, iPod and Bluetooth compatibility, as well as extensive multi-zone custom installation and convenience features, plus a Web Browser Control.

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12/21/2011

JBL L880 4-Way, High Performance 6-inch Dual Floorstanding Loudspeaker (Black) Review

JBL L880 4-Way, High Performance 6-inch Dual Floorstanding Loudspeaker (Black)
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The JBL L880 floorstanding towers are EXTRAORDINARY value for money compared with other manufacturer's and internet only dealers products. Many will claim to have very neutral response and dynamic potential, but JBL has been in the business of making speakers since before many of those companies were glimmers in the eyes of their founders.
You can find excellent measurements of the L880's response curves online (Stereophile has an excellent review with such measurements) and the measurements don't lie. Flat response on axis from 40KHz down to about 30 Hz (with some leeway for room reinforcement). What that means in terms of listening is that everything sounds exactly as the mixer, engineers, and musicians (or movie makers if that's your bag) intended it to; nothing is being unduly influenced by characteristics of the speakers themselves, hence the description as neutral.
I've been using these paired with an Onkyo TX-SR606, a JBL LC2 center, and some surrounds that used to be the fronts in an Onkyo package (SKS-HT540) for home theater, but what's been most pleasantly surprising is how much these have gotten me back into stereo music listening.
These are excellent speakers for both music and movies, but their musicality is amazing. They produce rich, full bass, mids, and highs with great ease. If you push them, they don't sweat, they just go louder and louder until your AVR gets to its limits. These speakers have made me reconsider my stance on getting a pre-pro and separate amps in the future. Now I want them worse than ever, just to see what these are capable of with 200 Watts RMS vs. the ~90 I'm giving them now.
I've rediscovered my love of classical music thanks to these speakers. I can't wait to get some pipe organ CDs to really put them through their paces.
Pros
-Very nice looking in cherry finish (I'll post a photo)
-Astonishing sound reproduction
-Great stereo imaging
-Great punch and dynamics (esp. for movies, but even with driving rock and roll at extreme volumes these loudspeakers don't crack a sweat)
-Huge headroom for further amplification (as funds become available)
-Nice interconnects and relatively undetectable crossovers (that's a good thing)
-Excellent full range response
Cons
-Size may be an issue for some (I believe in bigger is better when speakers are on the table; see photo for size reference)
-Bi-wire connectivity is more gimmick than reality
-Plastic feet are a weak point but don't look bad
-Resistance ratings are optimistic at 8 ohms nominal (see Stereophile's review among others, these have a wide patch of 3-4 ohm response that may tax some receivers not rated for those low resistances)
In sum these speakers are AMAZING value for money, even at Amazon's prices (though sometimes Harman refurbished ones can be had for less elsewhere on the internet making them even greater value). They are great for home theater applications, but I think even better for music listening in 2 channel or multi-channel. To be completely honest I wish I could buy 3 more L880s for multichannel applications but I know my wife would kill me.
I'm not an audiophile, but I do like classical and jazz music at reference volumes (and play both nonprofessionally) and I can tell you from my own experience with other far more expensive brands at boutique audio stores, these will give speakers at 4 times the price a run for their money with the right amplification (at least 75 W RMS in real life, not manufacturers specs) and have blown everything I've heard at twice the price away solidly.
p.s. There's another reviewer who has suggested that these speakers are the same as the LC2 center channel speaker in the same line. As an owner of both, I can tell you they are not. Cabinet resonance and porting creates a very different speaker (even my Onkyo agrees as the Audyssey 2EQ calibration program crosses the LC2 over at 60 Hz, but leaves the L880s at "Full Range"). The bass and midbass are far fuller and more robust from the L880s.

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The Studio L880 4-Way, Dual 6" Floorstanding Loudspeaker is designed to give you outstanding high-frequency response as well as excellent bass. These speakers are designed to bring the feeling of a live performance into your living room. They are sold individually so you need to order two in order to get a pair.

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ZVOX 525 Low-Profile Single-Cabinet Surround Sound System Review

ZVOX 525 Low-Profile Single-Cabinet Surround Sound System
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Zvox now has three of these low profile "z base" speaker systems in its lineup -- the 525 (which is the smallest and least expensive), the 550 (the original model), and the more massive 575 (which is called the "Incredibase"). I wanted something as small and unobtrusive as possible to provide sound with a 40 inch LCD HDTV in a moderate sized bedroom or office space and I wanted solid, natural sound for watching movies. I bought this model, the 525, after reading consistently glowing reviews of the original and slightly larger 550.
The cabinet is a tad over three inches high, 24 inches wide and 12 inches deep. It is well finished and solid. The end panels are a piano black lacquer that looks very attractive if you have your HDTV on an open stand with three sides of the Zvox exposed. Yes, you can indeed stand your HDTV right on top of the Zvox. The shipping box comes with a warning sticker that says not to put anything on top of the Zvox that is wider or deeper than the Zvox cabinet itself. However, the specs also say it will support up to 70 pounds. I contacted Zvox directly and asked whether I could use the 525 as a base for my 40 pound, 40 inch Sony XBR9, which is about 36 inches wide. Zvox advised that so long as the pedestal footprint is smaller than the Zvox cabinet and the unit weighs less than the limit, it is fine. Obviously the warning was written by the lawyers, not by the sales and technical staff. Nevertheless, I would not be comfortable going with anything larger than a 40 inch (diagonal) 16:9 flat panel with this unit and would step up to the larger Zvox models for bigger screens.
With an HDTV perched atop it, this unit virtually disappears. All you will see from the front is a matte, charcoal grey mesh grille and, with the power on, a small blue LED that lurks behind the grille. Hooking this up is a snap. You can run the analog output from your CD, DVD, blu-ray, iPod/iPhone or HDTV directly into the two channel RCA plugs in the back; then plug the power in; and then you're off and running. No muss, no fuss. There is a tiny and simple to operate remote, which controls power (on/off), volume, subwoofer, treble and "phase cue" levels (these latter have "+/-" controls). One drawback -- there is no on-screen display for the level controls. Instead, with each 'step' in the levels, which appear to run over a ten step scale, the blue LED flashes to let you know you have made a change with each step up or down. Once you get the hang of it, not a problem.
Now for the sound. Well, you won't mistake this for a $5,000 sound system. No surprise there. However, you will get amazingly potent, natural, well balanced, rich and detailed sound that is somewhat mind boggling given the modest price and size of the Zvox 525. You can even shake the walls and windows a bit if you wish. We watched "Harry Potter and the Order of the Phoenix" with the Zvox cranked up. When Dumbledore and Voldemort are going at it, you will completely forget that the wall of sound -- the shattering glass, crackling electricity and rolling thunder -- is coming out of this little box. You won't hear the 525 straining under the load. The highs are crisp and glistening. The bass is taut, without boominess, and while not terrifically deep, it is quite natural. Unless you're one of those folks who needs to feel the low end in the pit of your stomach, you will find it quite satisfying.
The ersatz surround sound from the "phase cue" system isn't a substitute for front and rear speakers, but it does make the sound seem to come from a reasonably broad and deep sound stage, not a slender box three inches high by two feet wide. I've tried fiddling with the "phase cue" control and honestly don't perceive a great variation from phase cue on full and turned all the way down, other than a bit of unusual "reverb" that seems to occur with the control turned up. In short, there is no really directional "surround," but there is a very spacious sound.
For the price of admission, the Zvox 525 delivers quality construction, elegant design and ample listening pleasure. I wholeheartedly recommend it. As this is a newly released model and has not been available from Amazon until now, I bought directly from Zvox. Given my experience with Amazon purchases, I'm sure you'd be well served buying it here as well.

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12/20/2011

Sony MDR-SA5000 DJ Stereo Headphones Review

Sony MDR-SA5000 DJ Stereo Headphones
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I've owned quite a few high-end headphones over the last few years, but this new model from Sony take a page from Metallica, and kills 'em all. The comfort and design are unparalleled, and the materials used are top-notch, outclassing similarly priced and even more expensive cans. The sound is unprecedented, certainly among sub-$1000 dynamic headphones. The frequency spectrum is amazingly well balanced, from the deepest bass to the highest treble, with no readily apparent gaps or peaks. The frequencies transition very smoothly, which results in virtually no listener fatigue. Detail is excellent, surpassing all other dynamic headphones I've heard, rivaling that of the expensive, esoteric electrostatic models. Individual instruments and sounds are rendered wonderfully, each with it's own distinct static place in the spectrum, and are placed with pinpoint precision around your head.
If you listen to a lower-quality source or amp, the SA5000 might not be for you, as it will spit that garbage right back into your face. In that situation, more forgiving cans like the Sennheisers or Grados would be better suited. If you have some great sounding gear though, like my Benchmark DAC-1, then the SA5000 will give you the detail and transparency that other cans will hide.

Here are my impressions of a few other prominent high-end cans compared to the SA5000:
Grado RS1 (An ergonomic nightmare, and no benchmark for build quality, the Grado succeeds in making even a lowly MP3 player sound exciting to listen to. However, it achieves this through a bumped upper bass and upper mids, which can grow annoying when used on a high-class source and amp, which reveals these colorations. Also has the most distortion (sibilance) and least frequency extension of the group. It's best attribute is that bass boost, which is quite thumpin' with the right music.)
Sennheiser HD650 (This headphone makes almost anything quite listenable, with its slow, decay-oriented presentation, and muted high end, it takes the edge right off even the harshest recordings. This is good if you like your hi-fi to whisper sweet lullabies, however it makes the sound quite dull and lifeless compared to any of the other cans mention. The Zu Mobius cable helps fix this, and extend the lower and upper ends, but it is still no match for the detail and accuracy of the SA5000.)
Sony MDR-CD3000 (The SA5000's predecessor, by comparison has bloated bass and a lacking midrange. The extreme frequencies are also underrepresented. Its only "advantage" is an artificially wide soundstage that can make a studio rock recording sound more like a live concert. The cans are also VERY large and bulky, which makes them a tad annoying to wear, though they are very soft.)

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Polk Audio LSi9 Bookshelf Speakers (Pair, Ebony) Review

Polk Audio LSi9 Bookshelf Speakers (Pair, Ebony)
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I've owned many speakers in my time and auditioned some high-end numbers from Paradigm, B&W, Axiom, among others, and believe the Polk LSI9 to be the class-leading bookshelf speaker in the $1000-1500 price category.
External: The first thing you will notice when you get these speakers out of the box is how incredibly heavy they are. To give you an idea, they feel twice as heavy as Polk RTi6 bookshelves (commonly available at box stores). The construction of the cabinet is absolutely top-notch and fit and finish is truly impressive. The top and bottom have a beautiful piano black, high gloss finish and the side panels have rich, dark oak wood paneling. The back has Polk's standard diffusing bass port that allows placement of this speaker right up against a wall (or on a bookshelf) without degrading the sound or creating boomy bass. The gold-plated 5-way binding posts have been upgraded on this line to be more robust and replaces the red and black plastic binding post nuts common on most speakers and receivers with robust metal versions. The dual binding posts allow for use as a full range speaker with included jumpers in place or as a bi-amped or bi-wired unit. Nice touch. After you remove the front grill, you are greeted by that beautiful piano black surrounding two 5 1/4" poly woofers, a rare ring-radiator tweeter (seen in other luxury speakers selling for multi-thousands), and two front resonance ports. Harmonic resonance in this cabinet is minimized with the ingenious use of these tuned ports (these are NOT bass ports, that's on the back). I am very impressed with the build quality, fit and finish. A note about placement: These speakers are over 15" deep and extremely heavy, so they don't actually fit on many shelves. These truly work best on speaker stands or large table/desk units.
Sound: Form must follow function, so do these speakers sound as beautifully as they look? In a word, ABSOLUTELY. These speakers manage to competently handle an extremely broad frequency range. The ring radiator tweeter handles treble with grace and agility, without being harsh or shrill like metal dome tweeters. The ring design is much more acoustically accurate than similarly priced dome varieties and builds an upper-end high above its pay grade. The midrange is very full and warm, thanks to one dedicated woofer. The second woofer is reserved for midbass and bass frequencies and when combined with the rear bass port, accomplishes something stunning. If you close your eyes, you would swear this is a large floorstanding speaker with 8" woofers. The bass impact is so visceral, so low that I thought I still had my sub connected, no joke (I checked). This coming from a 5 1/4" woofer in a bookshelf speaker is an amazing achievement. I have never heard a speaker this size with this amount of quality bass. The frequency response appears fairly linear down to about 60hz, so in combination with a subwoofer actively crossed at 80-90hz, this setup is flat-out unbelievable. The sound stage of these speakers is impressive as well. Properly positioned and with the right recording, these speakers can give the impression of sitting in a large concern hall. They handle depth of soundstage with particular competence, but width is nice as well.
Logistics: We talked already about positioning of these deep, heavy guys, now about power. The LSi9s are rated for 20-200 watts into 4ohms. Make no mistake about it, these speaker love power. I currently run a Denon that puts out around 160 watts into 4ohms (100 watts into 8ohms) and it handles them well. I have them crossed over at 80 hz, which removes a bit of the energy-intense bass frequencies and gives me a bit more efficiency. If you want these guys to really sing, get an amp that can handle them. Additionally, biwiring them has yielded improved frequency separation and a tinge more crispness to the presentation. I can only imagine the kind of improvement you could get from biamping them. One more thing, while these speakers sound fantastic out of the box, you will get a noticeable improvement out of them after about 200 hours of burn-in.
Conclusion: What you have here with the Polk LSi9 is an audiophile-grade speaker that competes well with audio heavy-hitters costing $1500-2000 or more. This is a fantastic bang-for-the-buck speaker that is an immensely satisfying purchase. PLEASE don't make the mistake of seeing the name Polk and thinking these are typical box-store speakers. I have owned many of Polk's other speakers (RTi6, RTi4, RTi55, FXi5, FXi3, CSi5) and this is simply in a different class altogether. That isn't to say anything negative about Polk's other speak lines, I really enjoy them. It's just to say that this is truly something special. Do yourself a favor and audition these speakers, you'll be glad you did.

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